Saturday, April 30, 2016
Sunday, April 24, 2016
Event 1 - Art + Science Through Restoration and Conservation
For
my first event, I decided to look further into the topic of art, science, and
technology. Throughout the lectures, we mainly focused on how mathematical
principles are used by artists to create their final piece, how technology and
robots could create art or destroy its authenticity, and the ways in which
anatomy and dissection sit at the intersection of art and science. I wanted to
expand on these ideas of how art and science are related. The relationship
between art and science is not only important in creating a final product, but
also maintaining it for future generations to see. Numerous restoration and preservation
techniques utilize chemical properties in order to properly maintain the
artwork.
![]() |
Mona Lisa Reconstruction Steps https://ceroart.revues.org/3828 |
I
chose to go to the Getty because of the Getty Conservation Institute (GCI),
which uses and develops scientific advances to preserve and restore art of all
ages. Some of the many types of conservation, restoration, and examination techniques
include ultraviolet illumination, X-ray fluorescent spectroscopy, scanning
electron microscopy, infrared imaging, raman spectroscopy, laser ablation, etc.
The gleaming white buildings and pristine paintings in the Getty often times
overshadow the tireless efforts of the conservation institute; however, without
these modern scientific advancements in preservation many of the beloved
masterpieces by Van Gough, Monet, Picasso, and others would be lost in history.
Preservation allows artwork to transcend generations and, in doing so, allows
modern day society to “paint a picture” of the life long ago. The Getty’s
conservation institute opened my eyes to the difficulty of artistic preservation
and viewing the fabulous artwork helped me to understand its importance.
The Getty Conservation Institute
An Inside Look at GCI
Scientists
and artists team together to keep art in the most pristine condition possible.
The mixing of chemicals and inventions of new technological devices to preserve
and restore art require the knowledge and ability of renowned scientists and
art experts to work together.
Citations
Bagwell, Sam. "The Beauty of Science: New Technologies
in Art Restoration." USC Viterbi. Illumin, 08 Dec. 2004. Web. 23
Apr. 2016.
<http://illumin.usc.edu/34/the-beauty-of-science-new-technologies-in-art-restoration/>.
"Getty Conservation Institute (GCI) | The Getty." Getty
Conservation Institute. The J. Paul Getty Trust, n.d. Web. 23 Apr. 2016
<http://www.getty.edu/conservation/>.
Proof of Event
![]() |
Me at Getty Conservation Institute (GCI) |
![]() |
Me in front of Monet's Wheatstacks, Now Effect, Morning |
Me with worker at The Getty |
My parking ticket to prove the date |
Saturday, April 23, 2016
Week 4 - Medicine + Technology + Art
This
week, art, medicine, and technology were all connected. I have never really
considered the many ways in which these three fields could all be meshed into
one, but now it all seems very clear. Whether it is anatomy and dissection, the
Body Worlds show, X-ray machines, or plastic surgery, future possibilities are
endless when you bring art, medicine, and technology together.
I thought it
was very interesting when Professor Vesna brought up how plastic surgery is not
a new procedure, and that it has been around for nearly 4,000 years. I thought plastic
surgery was a procedure that began in the 20th Century, so it surprised
me that physicians in ancient India used skin graphs. Another surprising point
was that WWI made plastic surgery necessary due to the new chemical and
electrical weapons used in war. I know this war caused terrible injuries, but I
never considered the treatments for injuries as plastic surgery. To me,
injuries which require “fixing” are classified as necessary reconstruction,
while I view plastic surgery as something that is pure choice by the client
because they want to look a certain way even though there is no health related
reason to get the surgery done.
![]() |
http://www.bbc.co.uk/guides/zxw42hv |
Although I
do not have personal experience with plastic surgery, since moving to Los
Angeles I have seen many people who have clearly had this work done on them. I understand
the insecurities people have with their bodies and looks, but people always
look prettier as their natural selves. No matter how good the doctor, you can
pretty much always tell if someone has gotten plastic surgery. My roommate
watches the TV show Botched and is fascinated by it, but to me it is sad that
so many people feel they need to change their appearance when they are already
beautiful the way that they are. Plastic surgery is an art form because you
actually mold a person as a painter would paint a picture or a sculptor would
sculpt a sculpture. This is especially clear through Orlan, who done body
performance art since the 70s. She wants to obtain the beauty created by
renowned artists, so her facial features resemble a certain feature from
different famous paintings, for example, she has Mona Lisa’s forehead. I do
believe that this is an art form, but it is hard for me to accept that people
dislike the way they look so much that they feel pressure to change.
![]() |
http://www.gstatic.com/tv/thumb/tvbanners/10819476/p10819476_b_v8_ah.jpg |
![]() |
https://art100.wikispaces.com/OrlanPresentation |
Citations:
"Biography." Orlan. Orlan, n.d. Web. 23
Apr. 2016. <http://www.orlan.eu/bibliography/biography/>.
Donohoe, Martin, MD, FACP. "Women’s Health in Context:
Cosmetic Surgery Past, Present, and Future: Scope, Ethics, and Policy." Medscape.
WebMD LLC,
2006. Web. 23 Apr. 2016. <http://www.medscape.com/viewarticle/542448_2>.
2006. Web. 23 Apr. 2016. <http://www.medscape.com/viewarticle/542448_2>.
"How Do You Fix a Face That’s Been Blown off by
Shrapnel?" BBC. BBC, n.d. Web. 23 Apr. 2016. <http://www.bbc.co.uk/guides/zxw42hv>.
Sarah, Sheldon, and R. Parihar. "Sushruta: The First
Plastic Surgeon in 600 B.C." Internet Scientific Publications.
Internet Scientific Publications, LLC, 2013.
Web. 23 Apr. 2016. <http://ispub.com/IJPS/4/2/8232>.
Web. 23 Apr. 2016. <http://ispub.com/IJPS/4/2/8232>.
Vesna, Victoria. "Medicine Pt3." YouTube.
YouTube, 22 Apr. 2012. Web. 20 Apr. 2016. <https://www.youtube.com/watch?v=FIX-9mXd3Y4#action=share>.
Thursday, April 14, 2016
Week 3 - Robotics + Art
This week, I am focusing on the
topic of robotics and art. You cannot think about robotics without also thinking
about industrialization because nowadays, robotics is in everything that we do
in relation to manufacturing. Robotics is a booming field, especially as we
enhance their intelligence. Robotics sort of emerged in relation to assembly
lines when people like Henry Ford were interested in manufacturing products
more quickly and cheaply. In this case of robots for industrialization purposes,
the robots played a key role in the created of a finished product, which is an
art piece. Another way robotics and art meshed was through movies like Blade Runner, which “invented” cyborgs,
a mesh between human and machine.
Henry Ford's Assembly Line. Robots and people working together.
https://www.youtube.com/watch?v=jLud5XYfY_c
![]() |
http://originalvintagemovieposters.com/blade-runner-original-vintage-film-poster/ |
While
robots were and still are key to creating many different works of art, robots
and mechanical reproduction can make you feel like there is not much aura left
to art. Walter Benjamin states that:
Mechanical reproduction of art
changes the reaction of the masses toward art . . . [and] A painting has always
had an excellent chance to be viewed by one person or by a few. The
simultaneous contemplation of paintings by a large public, such developed in
the nineteenth century, is an early symptom of the crisis of painting.
(Benjamin 3-4).
Benjamin analyzes how mechanical reproduction destroys
authenticity in art. He believes that the idea of the original is broken down
and the idea of tradition has become less important. Although Benjamin has a
valid point that paintings are now accessible to anyone, I disagree with his
opinion that this is a bad thing. I do not believe that artwork that artists
create for eyes other than their own should be hidden away for only a few
people to ever see. I am sure that most artists would be happy to see their
artwork being viewed and interpreted by those around and far from them.
![]() |
An ironic picture of Walter Benjamin http://www.heathwoodpress.com/on-walter-benjamin-a-critical-life/ |
Citations:
Benjamin,
Walter, and J. A. Underwood. The Work of Art in the Age of Mechanical Reproduction. London: Penguin, 2008. Print.
Davis, Douglas. “The Work of Art
in the Age of Digital Reproduction (an Evolving Thesis: 1991-1995)”. Leonardo
28.5 (1995): 381–386. Web.
"Ford Installs First Moving Assembly Line 1913." PBS.
PBS, n.d. Web. 14 Apr. 2016.
<http://www.pbs.org/wgbh/aso/databank/entries/dt13as.html>.
Sayej, Nadja. "How a Painting Robot Was Given an
Artist's Soul." Motherboard. Vice Media LLC, 10 Nov. 2013. Web. 14 Apr.
2016.
<http://motherboard.vice.com/blog/how-a-painting-robot-was-given-an-artists-soul>.
"The History of Robots in Movies." Robots in
Film. N.p., n.d. Web. 14 Apr. 2016. <http://robotsinfilm.com/the-history-of-robots-in-movies/>.
Subscribe to:
Posts (Atom)